The Kubrick Gaze

The power of gaze stanley kubrick movie video supercut videos evergreen movie stanely kubrick about 4 years ago by joey paur.

The kubrick gaze. As a tribute to just one of kubrick s many distinct compositions and shooting techniques spanish filmmaker jorge luengo ruiz has put together a supercut of what is referred to as the kubrick gaze. He stops at a table which bears a scale model of the maze outside. The illusion of control is what frames both jack and the contributors of room 237. When these characters look at the camera it s like they.

Kubrick s greatest trick consists of making a film that defies not only space but also time. Kubrick valued this posture so much that he often assumed it himself in photographs giving us the image of a man who is seeing beyond which is precisely what the gaze signifies. A low angle shot of jack registering bemused interest is followed by a downward gaze absolutely perpendicular at the maze. Some of the most potent holy moments kubrick filmed feature the gaze that uniquely kubrickian device that appears in all of the films post strangelove most famously in the first shot of a clockwork orange 1971 and in that one shot scene in the shining 1980 where jack torrance begins to slip over the edge.

The photographs display his journalistic and reflected approach the realism of everyday life where kubrick s gaze and visual approach manifests itself as psychologically revealing. Kubrick cuts from them to jack drifting in an eerie lope through the hotel interior. This gaze tends to be a closeup shot of a subject where it appears as though they are looking directly into the eyes of the viewer. This period must have been formative for his later cinematic art.

A mashup of the most intense stares in the films of stanley kubrick. The gaze is present as todd macgowan informs us in films more it is a characteristic of films.